I WON’T DROWN ON THAT LEVEE AND YOU AIN’T GONNA BREAK MY BACK
Directed / Produced by Ashley Hunt
The Corrections Documentary Project
2006 / 30 minutes
I WON'T DROWN... began with an invitation to travel to New Orleans as part of a delegation to investigate what actually happened at the Orleans Parish Prison during and after Hurricane Katrina. What came up was not only a botched and deadly evacuation of the prison, but a broader climate of racial tension and brutality throughout the local and Federal response to the disaster, where the population was divided into survivors and looters along lines of race and class.
Based around a press conference by the delegation — itself an interesting form of public speech with its own politics of representation — it takes the viewer through a timeline of the disaster and its representation through the mass media, with stories of individuals returning to New Orleans for the first time, testimonies of the evacuation, and a look at grassroots relief efforts not covered in the media.
The video is a central part of a campaign calling for Amnesty for criminalized hurricane survivors and people whose legal cases have been jeopardized by the hurricane. (click here for campaign)
Special thanks to:
Xochitl Bervera
Corinne Curry
Althea Francois
Tamika Middleton
Malik Rahim
The People's Hurricane Relief Fund
Common Ground Collective
Distributed by Third World Newsreel
MORE
A one hour documentary about the privatization of U.S. prisons, where privatization reveals itself as just one piece of a larger puzzle in which a number of politicians, businesses and state interests desire a growing prison system.
Asking one of the biggest questions surrounding today’s prison expansion, "Where do new prisons get built?", this 20-minute documentary explores why new prisons are being built and why they are typically placed in remote, rural communities.
To better understand what struggles we face today, we can look to history to help us interpret the present and our place within it. A brief yet compelling portrait of one of the U.S.’ most infamous rebellions, and a most brutal example of state repression that was deployed to destroy it.
A nine minute video essay based upon the optimistic stock projections announced to Wall Street stock analysts by a private prison company, when Cornell Company made public its hopes that private prison companies may get fat government contracts to build interment camps for Arab Americans.
A grassroots protest dances its way through New Orleans on September 8th, 2001. Led by parents fed up with their children’s abuse at the hands of the state's notorious youth prison, this video documents their demand to shut it down.
The second video following a campaign to shut down the notorious Tallulah youth prison in Northern Louisiana, following a movement of parents, community and advocates through public hearings where bereaved parents get the chance to spell out their frustrations to law makers and demand a prison be closed.
An accidental circustance of counter-surveillance to keep state power in check, it is a brief glimpse of the flexing of state power in communities whose voice is more criminalized than listened to and respected.
The first of two videos about Critical Resistance's Southern Conference, ORGANIZING CRITICAL RESISTANCE SOUTH is an 18 minute piece that follows the 2 year organizing process leading up to the conference. It was initially screened on the conference's opening night.
3,000 people from around the South and the U.S. pour into New Orleans’ Tremé community to share stories, responses and analyses of the growing prison system which affects so many in so many different but connected ways. One of the seminal Critical Resistance conferences that built today’s movement.
What begins as a simple dialogue on why a labor union for textile workers would support an anti-prison conference expands into a eloquent analysis of how globalization affects jobs and economy, how capital flight frames crime policy, and how race, gender and class prejudice the vision and potential of the Left.
Take a minute to write an introduction that is short, sweet, and to the point. If you sell something, use this space to describe it in detail and tell us why we should make a purchase. Tap into your creativity. You’ve got this.