BIOGRAPHY
Ashley Hunt is an artist and activist who uses video, photography, mapping and writing
to engage social movements, modes of learning and public discourse. Among his interests
are structures that allow people to accumulate power and those which keep others from
getting power, while learning from the ways people come to know, respond to and conceive
of themselves within these structures. Rather than seeing art and activism as two exclusive
spheres of practice, he approaches them as complimentary, drawing upon the ideas of social
movements and cultural theory alike Ñ the theorizing and practices of each informing the
other.
This has included investigations into the prison, the demise of welfare state institutions, war
and disaster capitalism, documentary representations and political activism. His recent performance, Notes on the Emptying of a City, explores the first-person politics of being in New Orleans with a camera in the months following Hurricane Katrina, when he engaged with community activists to research the city’s refusal to evacuate the Orleans Parish Prison.
Other projects include a number of works included under the umbrella of The Corrections Documentary Project (www.correctionsproject.com), which centers around the contemporary growth of prisons and their centrality to todayÕs economic restructuring and the politics of race; 9 Scripts from a Nation at War, a collaboration with Andrea Geyer, Sharon Hayes, Katya Sander and David Thorne, and an ongoing collaboration wtih Taisha Paggett, On Movement, Thought and Politics.
HuntÕs work has been screened and exhibited at the P.S.1/MOMA, Project Row Houses, Documenta 12, the Gallery at REDCAT, Nottingham Contemporary, the 3rd Bucharest Bienial, the Tate Modern, the Museum of Modern Art, the Contemporary Museum in Baltimore, the Martin Luther King Jr. Center in Atlanta, as well as numerous grassroots and community based venues throughout the U.S. Writings and publication include, Printed Project 12 (’09), the Journal of Aesthetics and Protest (Ô08, Ô07 & Ô05), On Knowledge Production: A Critical Reader (BAK '08), Art Journal (Ô07), Chto Delat (Ô07), Rethinking Marxism (Ô06), and at Artwurl.org (‘03–‘05), and Sandbox Magazine (Ô02) .
CV
FELLOWSHIPS / RESIDENCIES / AWARDS
2012 Hyde Park Art Center Residency, Chicago, IL
2010Ð11 Visual Artists Network Exhibition Residency, through the National Performance Network and Project Row Houses
2009 Durfee Artist Resource Completion Grant, with Taisha Paggett 2007 BAK Center for Contemporary Arts, Research-In-Residence, Utrecht, NL
2007 New York Foundation for the Arts, Swing Space Fellowship
2006–07 Fellow of the Vera List Center for Art & Politics
2002 Ford Foundation, Social Justice Grant for Independent Media Production
2001 Public Welfare Foundation, Independent Media Distribution Grant
1999 John Quincy Adams Fellowship, Art Institute of Chicago
1997 John Dales Fund Scholarship, Screen Actors Guild of America
EDUCATION
2000 Whitney Independent Study Program, Whitney Museum of American Art
1998 Masters of Fine Art, School of the Art Institute of Chicago
1994 Bachelors of Fine Art, University of California at Irvine
EXHIBITIONS/SCREENINGS/PERFORMANCES 2012 Made in L.A. 2012: Los Angeles Biennial, Hammer Museum of Art, Los Angeles, CA
9 Scripts from a Nation at War, Museum of Modern Art, New York, NY Arika Performance Festival, Glasgow, Scotland The Hairy Blob of History, Hyde Park Art Center, Chicago, IL
2011
The Global Contemporary, ZKM Center for Art and Media, Karlsruhe, Germany Communograph, Project Row Houses’ Fall Round, #35, Houston, TX
Performa Biennial of Performance, Museum of Modern Art, New York, NY
To Disobey at All Costs: Video and Demonstrations, Museo de Arte Carrillo Gil, Mexico City,
Curated by Miguel A. Lopez Notes on the Emptying of a City (Performance) The New Museum, New York
proQM, Berlin, Germany threewalls Gallery, Chicago
Public Space One, Iowa City
Black Film Archive, Indiana University
2010
Notes on the Emptying of a City (Performance)
Beta Local and the College for Architecture, San Juan, PR
Woodbourne State Prison, Bard Prison Initiative, Woodbourne, NY
Hessel Museum/Center for Curatorial Studies at Bard College, Annondale-on-the-Hudson
Center for Contemporary Art, Santa Fe
Rubin Museum of Art, El Paso
Co-Lab New Media Space and Community Garden, Austin
Project Row Houses/Eldorado Ballroom, Houston
Greater New York, P.S.1/MOMA A History of Irritated Material, Raven Row Gallery, London
Another Country, curated by Ovul Durmusoglu, IFA Gallery Stuttgart
Medium Resistance—Revolutionary Tendencies in Print and Craft, The Ice Box, Philadelphia, curated by Philip Glanh, Richard Hricko and Nick Kripal Ohio State Human Rights Conference (performance) Instruments of Risk, curated by Carol McDowell and Asher Hartman, Sea and Space Explorations, Los Angeles
2009 mama-san, curated by Young Chung, Glendale College Art Gallery, Los Angeles
Post-American L.A., curated by Pilar Tompkins, 18th Street Art Center, Los Angeles
Disobedience, curated by Marco Scotini, National Museum of Contemporary Art, Bucharest
Performing Economies, curated by Elana Mann, Fellow for Contemporary Art Space, Los Angeles
Democratic Acts, curated by Luigi Coppola & Marko Stamenkovic,
at the 1st Biennale Democrazia, Cavallerizza Reale, Torino
at Festival Fabbrica Europa, Stazione Leopolda E Casa Della Creatività, Florence
Konsthall C, Being There, Stockholm, curated by Jan-Erik Lundström, Stokholm
Rotte Metropolitane, Tools for Revolution or Just for Sale, curated by Giacomo Bazzani, Florence
An Atlas of Radical Cartography, Curated by Alexis Bhagat & Lize Mogel,
at Casco, Office for Art, Design and Theory, Utrecht
at Basekamp, Philadelphia, An Atlas of Radical Cartography, Curated by Alexis Bhagat & Lize Mogel
2008
The Gallery at REDCAT, Los Angeles
ÒThe Impossible Prison,Ó Nottingham Contemporary, UK
ÒOurs: Democracy in the Age of Branding,Ó Sheila C. Johnson Design Center, Parsons The New School for Design
Tate Modern, L2 Gallery
The 3rd Bucharest Biennial, Romania
New Museum, Screening Series, ÒUnmasked: A Marathon of Artists' Videos and Films Contesting Systems
of Rule,Ó Organized by Elise Youn and Carlos Motta
ÒWar Stories,Ó Sandra & David Bakalar Gallery, Massachusetts College of Art & Design, curated by Lisa Tung
2007
Documenta 12, Kassel, Germany An Atlas of Radical Cartography, curated by Lize Mogel and Alexis Bhagat MoMA, Documentary Fortnight, New York Left Forum, New York, Screening program by Jesal Kapadia and Susan Johada Princeton Human Rights Film Festival, Princeton, New Jersey 3rd Annual Prisoners' Justice Film Festival, University of Toronto
2006
ÒHeadquarters,Ó Contemporary Museum, Baltimore, curated by Cira Pascual
ÒNot Sheep: New Urban Enclosures and Commons,Ó organized by Urban Subjects (US): Sabine Bitter, Jeff Derksen, Helmut Weber
New Orleans Human Rights Film Festival
ÒWhen the Artist Says We,Ó ArtistÕs Space, New York, NY
ÒCapital: It Fails Us Now,Ó Tallinn, Estonia, curated by Simon Sheikh
Free Speech TV, Public Broadcast
ÒPrison Nation,Ó Center for the Study of Political Graphics, Watts Towers Art Center
2005
ÒI Beg Your Pardon, or, the Reestablishing of Cordial Relations,Ó Vera List Center for Art & Politics, New York, curated by Andrea Geyer
ÒCapital: It Fails Us Now,Ó UKS, Oslo, Norway, curated by Simon Sheikh
ÓDrawn to Drawing,Ó Betty Rymer Gallery, Chicago, IL
ÓPatriot,Ó The Contemporary Musuem, Baltimore, MD, curated by Cira Pascual
ÒDefense,Ó Sweeney Art Gallery, Riverside, CA, curaedr by Lauren Hartman
Amnesty International Firefly Film Festival, Brooklyn, NY
Toronto PrisonersÕ Justice Film Festival, Social Justice School, University of Toronto
2004
ÒIdentify! Studies in the Political Subject,Ó Vera List Center for Art & Politics, New York,
curated by Andrea Geyer
Hallmark Channel, National Cable Television Broadcast
Group Exhibition, Paxico Gallery, Los Angeles, CA
Appendiks 9, Appendiks Art Space, Copenhagen
Atlanta Independent Media Center, Little 5 Points Community Center, Atlanta, GA
Hopedance Film Festival, San Luis Obispo, CA
2003
ÒTerritories,Ó Kust-Werke Institute for Contemporary Art, Berlin, curated by Anselm Franke
Critical Resistance Southern Regional Conference, New Orleans, LA
Community Screening, The Refuge Community Center, St. Petersburg, FL
Simon's Rock College of Bard, Boston, MA
Middlesex College, Lowell, MA
Our Island, Our World Film Festival, Ganges, British Colombia
2002
Clifton Chenier Community Center, Lafayette, LA
Social Sectors, Kunstalle Exnergasse, Vienna
Impakt Festival, Amsterdam, The Netherlands
Oberhausen Film and Video Festival, Oberhausen, Germany
Palestinian International Video Festival: Khalil Sakakini Cultural Ctr, Ramallah,
Al-Quds Educational Television Broadcast, Ramallah, Palestine
New York Underground Film & Video Festival, New York, Anthology Film Archives
ÒRight 2 Fight,Ó New York, NY, curated by Dominique Malaquais & Trebor Schulz
Moviate Screening Series, Susquehanna Art Museum, Harrisburg, PA
Communities Against Rape & Abuse, Langston Hughes Cultural Arts Ctr, Seattle, WA
Critical Resistance Screening Series, Arise for Social Justice, Springfield, MA
Athens Film & Video Festival, Athens, Ohio
Critical Resistance Film Festival, New York, NY
Hollywood Underground Film & Video Festival, Los Angeles, CA
Zeitgeist Theatre, New Orleans, LA
Learning Community, Prison Project, Penn State University Colloquy, Harrisburg, PA
In & Out of Control, Holden Gallery, Manchester, England, curated by Tanya Leighton
Ocularis Film Series, Brooklyn, NY
Nevada Prison Reform Organizing Conference, Los Vegas, NV
2001
Museum of Modern Art, New York, NY
Visions Cinematheque, Washington, DC
ARC Gallery Media Room, Chicago, IL
Smart Project Space, Amsterdam, The Netherlands
Critical Resistance: Beyond the Prison Industrial Complex Film Fest, San Francisco
Sidewalk Moving Picture Festival, Birmingham, Alabama
Bronx Museum, Nomads & Residents CD Archive, Bronx, NY
Ground Zero, Nomads & Residents CD Archive, New York, NY
Slamdance International Film & Video Festival, Park City, Utah
Atlanta Film & Video Festival, Atlanta, GA
DUTV Broadcast, Philadelphia, PA
Lindesmith Center Drug Policy Reform Conference, Albuquerque, NM
Department of Space & Land Reclamation, Butcher Shop, Chicago, IL
Black Panther International Film Festival, New York, NY
Martin Luther King Jr. Center ÒDream SeriesÓ, Atlanta, GA
Open Society Institute, New York, NY
Werelwijd Mediahais, Brussels, Belgium
Network Broadcast, American Broadcasting Corporation, Bakersfield, CA
Nat Taylor Cinema, York University, Ontario, Canada
Critical Resistance Northeast Conference, Opening Plenary, New York, NY
2000
ÒOther Voices,Ó Chicago Access Network Broadcast, Chicago, IL
ÒTransparent Architecture,Ó Gale Gates et al. Gallery, Brooklyn, curated by Anne Ellegood
Whitney Museum of American Art ISP, Open Studios, New York, NY
Art Expo 2000, Hanover, Germany
1999
Bandits-Images Film and Video Festival, Bourges, France
Solo Exhibition, ARC Gallery Media Room, Chicago, IL
1998
Chicago Cultural Center, Chicago, IL
New Artists in Chicago, Terra Museum of Art, Chicago, IL
MFA Film & Video Screening, Film Center, School of the Art Institute of Chicago
At the End of the Day: Twenty ArtistsÕ Views of South Africa, Gallery X, Chicago
Center for Communications Resources, Chicago, IL
1997
Video Annual 1997, Los Angeles Center for Photographic Studies
Bandits-Images Film and Video Festival, Bourges, France
CURATORIAL
2005 Undeliverable Address: 54 Questions that will not be answered by the White House,
Crazy Space, Los Angeles
2000 Video Purgatory, Bona Fide Gallery, Chicago, IL
1999 Multi-Media Block Party, Street Level Youth Media, Chicago, IL
1998 At the End of the Day: Twenty Artists' Views of South Africa, Gallery X, Chicago, IL
1997 Living with Television, Gallery 2, Chicago,
PUBLICATION
Broken English, ed. Carlos Motta and Julieta Aranda, Essay: "Dear Artists: Open Letter on the Occupy Movement," 2011
Bad at Sports Contemporary Art Talk (Blog), "Social Practice Art's Identity Crisis: Interview with Ashley Hunt by Abigail Satinsky," 2011
itch #12: Com(petition) The Big Throw Down, Essay: "Theater of Scarcity," 2011
The Second World Congress of Free Artists, Aarhus, Performance Script: “Dictatorship of the Audience,” 2010
Printed Project, #!4 “Circulation”, edited/curated by Katya Sander, 2009 Experimental Geography, edited by Nato Thompson, Creative Time, 2008 Concerning Knowledge Production, Critical Reader published by Basis voor Actuelle Kunst, 2008 (Essay)
Journal of Aesthetics and Protest #6, 2008, Interview by Robbie Herbst
Prospectus, website for Prospect 1 New Orleans Biennial, 2008, Interview by Alex Villar
Concerning Knowledge Production, Critical Reader published by Basis voor Actuelle Kunst, 2008 (Essay)
WhiteWalls, Spring 2008 (Published artwork)
Hidden Curriculum, Catalogue for Annette Krauss, Casco Office for Art, Design and Theory (Utrecht, Netherlands) 2008
Radical History Review, Spring 2008 (Artist project)
Catalogue Essay for Carlos Motta, Philadelphia ICA, ÒTricks of Logic and Constellations of Time,Ó 2008 (Essay)
Art Journal, Fall 2007: ÒDisappearance/Reappearance: Prisons and the VisualÓ (Essay) (forthcoming)
An Atlas of Radical Cartography, ed Lize Mogel & Lex Bhagat (Published artwork)
Journal of Aesthetics and Protest #5, 2007: ÒNotes on an Emptied SpaceÓ (Essay)
Crime and Punishment, Exhibition Catalogue, Kunsthalle Tallinn, 2007: ÒAnywhere/Everywhere: a Translation of CaptivityÓ (Essay)
Grey Room, Summer 2006, No. 24, 2006, ÒNight CrossingsÓ (Published artwork)
No Matter How Bright the Light, the Crossing Occurs at Night, Catalogue Essay, Kunst-Werke Institute for
Contemporary Art, 2006: Interview by Natascha Sadr-Hagihian
ÒA Fortification of RaceÓ, Re-Thinking Marxism, 2006
ÒRepresentation, Narration and the Production of Publics & Counter-PublicsÓ, Cork Caucus, collaborative talk with Simon Sheikh, 2006
ÒUndeliverable Address: 53 Questions that will not be answered by the White HouseÓ (a collaboration with Taisha Paggett), published with the Vera Llist Center for Arts & Politics
Arts & Leisure, Notes on Art, Its Institutions, and their Presumed Criticality, Ed. Julieta Aranda & Carlos Motta, co-published by Art in General & e-flux, 2005
ÒWorkingÓ, Artwurl.org/PS-122, web-based publication, 2004Ðpresent (www.artwurl.org)
ÒTemporary Public Spaces,Ó The Journal of Aesthetics and Protest, 2005
ÒPrison NationÓ, Cover Photograph, Routledge, 2003
Ò360 Degrees of Criminal Justice: Documentary, Method & LawÓ, Sandbox Magazine, 2002
ÒRevolutions per MinuteÓ, authored with Katya Sander, Surroundings Surrounded: Subjectivity in Space and Science, Ed: Peter Weibel & Olafur Eliasson, 2001
Politis: French Journal of Politics and Culture, Published photography, 2001
SELECT BIBLIOGRAPHY
David Pagel, Los Angeles Times, 2009 Mike Boehm, Los Angeles Times, 2009 Ron Garmon, L.A. City Beat, 2009 Drew Denny, L.A. Record, 2009
Ian White, Afterall, 2008
Cate McQuaid, The Boston Globe, February 2008
Julia Bryan-Wilson, Art Forum, October 2007
Cynthia Kriss, Springerin, October 2007
Avery F. Gordon, An Atlas of Radical Cartography, ed. Lize Mogel & Lex Bhagat, 2007 (forthcoming)
Jared Sexton, Art Journal, Fall 2007 (forthcoming)
Simon Sheikh, Kuritšš ja Karistus/Crime and Punishment, Exhibition Catalogue, Kunsthalle Tallinn, 2007
Anselm Franke, Avery Gordon, Natascha Sadr Haghighian, Tom Holert, Ines Schaber, ÒNight CrossingsÓ, in Grey Room, Summer 2006, No. 24, 2006
J. Bowers, City Paper, Baltimore, 2005
Yates McKee, Springerin, 2002
Anne Ellegood, Sandbox Magazine, 2002
Benjamin Young, ÒSocial SectorsÓ Catalog, 2002
Holland Cotter, New York Times, 2001
Robin Clemow, Birmingham Post-Herald, September, 2001
Curt Holman, Creative Loafing, Atlanta, August, 2001
Merle Bertrand, Film Threat, February, 2001
Rod Hewitt, ROUGHCUT, January, 2001
David Wilson, SLUG Magazine, January, 2001
SYMPOSIA, LECTURES & TALKS
2010 Ohio State University Human Rights Conference Activist Scholars Conference, University of Texas 2009 Basekamp, Philadelphia, Artist Talk Southern Illinois University, Artst Talk
2008 Otis College of Art and Design, Public Practice Program, Roundtable, “Art Practice in Rural Contexts” California Institute of the Arts, Artist Roundtable, “Efficacy of Political Art Upon Political Change”
Art Center College of Design, Los Angeles, Visiting Artist Presentation
UC Irvine, Beyond Field: A Guide Through Practice & Discipline Lecture Series, Artist Talk School of the Art Institute of Chicago, Visiting Artist Presentation College of the Mainland, Texas City, Artist Talk 2007 BAK (Basis voor Actuelle Kunst), Utrecht, ÒMovement, Thought & Politics,Ó Workshop with Taisha Paggett United Nations Plaza, Berlin, Artist Talk 16 Beaver Group, ÒWhen One Place Looks Like AnotherÓ Boston Museum School, Contested Territories Symposia, ÒWhen One Place Looks Like AnotherÓ
2006 Los Angeles Contemporary Exhibitions, When One Place Looks Like Another, with Ruth Wilson Gilmore
UC Irvine, Center for Law and Society, The Look of Law, organized by Simon Leung
Contemporary Museum, Baltimore, Artist talk, Madness Ghetto: a Fortification of Race
UC Santa Barbara, Department of Sociology, Artist Presentation
Vera List Center for Art & Politics, Artistic Approaches to Activism, panel organizer & presenter
San Francisco Art Institute, Artist presentation with collaborator, Taisha Paggett
2005 The Cork Caucus, Cork, Ireland, Representation, Narration and the Production of Publics & Counter-Publics
Building an Anti-War Culture, Beta-Level & Journal of Aesthetics & Protest, L.A.
2003 Royal Art Academy, Copenhagen, ÒCorrections: on Neoliberal Prison GrowthÓ
Art Academy of Malmš, Sweden, ÒCorrections: on Neoliberal Prison GrowthÓ
Question. Community? Round Table on Community & Art, 6 Months Gallery, L.A.
Middlesex College, Lowell, MA, Artists Presentation & Lecture
Simon's Rock College of Bard, Boston, MA, Artists Presentation & Lecture
2002 Socialist Scholars Conference, Cooper Union, New York, NY
Rebellious Lawyering Conference, Artist Presentation, Yale Law School, New Haven
Tulane University Law School, New Orleans, LA, Artist Presentation
Harvard University Law School, Cambridge, MA, Artist Presentation
ÒRadical TimeÓ Symposium, Lecture: ÒDisappearing Dissent: Prison Time, Radicality
and Structural Violence,Ó UCLA Department of Fine Arts
Nomads & Residents Los Angeles, CA, Artist Talk
2001 Critical Resistance Northeast Conference, Workshop leader:
ÒNot 'Oz' (We're Not in Kansas Anymore): Representation and Cultural Strategies in Prison-Related ArtÓ, Columbia Univ, NY
Documentary Institute at Antioch College, OH, Artist Talk
Oberlin College, OH, Artist Talk
City University of New York at Harlem, New York, NY, Visiting Artist
College of New Rochelle, Bronx, NY, Visiting Lecturer
2000 Artist Talk and Round Table Discussion, ÒNew Documentary,Ó Nomads and Residents, Experimental Sound Studio, New York, NY
ÒSites of Collective MemoryÓ Symposium, Lecture: ÒPrison Architecture: Disappearance/ ReappearanceÓ, Whitney Independent Studio Program, New York
1999 Artist Talk, ARC Gallery, Chicago, IL
School of the Art Institute of Chicago, Graduate Critique Panelist
1998 ÒNew Artists in ChicagoÓ, Terra Museum of Art, Chicago, IL, Artist Talk
Center for Communications Resources, Chicago, IL, Artist Talk
Video Department, School of the Art Institute of Chicago, Visiting Artist
School of the Art Institute of Chicago, Graduate Critique Panelist
WEBSITE URLs
General Artist Website: www.ashleyhuntwork.net
The Corrections Documentary Project: www.correctionsproject.com
A World Map in Which We See: www.aworldmap.com
I WonÕt Drown: www.iwontdrown.com
Prison Maps Website: www.prisonmaps.com
Close Tallulah Now! Wesbsite: www.closetallulah.org
ÒWorking,Ó Artwurl/PS-122 publication: www.artwurl.org
DISTRIBUTION
Third World Newsreel, New York, NY
(www.twn.org / twn@twn.org)
The Corrections Documentary Project
(www.correctionsproject.com / mail@correctionsproject.com
SELECT COLLECTIONS/HOLDINGS
Rooseum Contemporary Arts Center
California Institute for the Arts Kunst-Werke Institute for Contemporary Art
Amnesty International
American Friends Service Committee
Human Rights Watch
Harvard University Library
Georgetown University Library
Yale University Library
Antioch College Library
University of North Carolina Library
Duke University Library
University of Toronto
Malmš Academy of Art, Sweden
Open Society Institute
University of California at Berkeley
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